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[.AltaDefinizione.] GUARDA Io sono la fine del mondo (2025) Streaming-ITA β€” CB01

𝙰 πš–πš˜πš–πšŽπš—πš 𝚊𝚐𝚘 ~ Io sono la fine del mondo 𝟸𝟢𝟸𝟻 πšœπšπš›πšŽπšŠπš–πš’πš—πš πš’πšπšŠ, Io sono la fine del mondo 𝟸𝟢𝟸𝟻 πšπš’πš•πš– πšŒπš˜πš–πš™πš•πšŽπšπš˜ πš’πš— πš’πšπšŠπš•πš’πšŠπš—πš˜ πšœπšπš›πšŽπšŠπš–πš’πš—πšπšŒπš˜πš–πš–πšžπš—πšπš’ - Io sono la fine del mondo πšπš’πš•πš– πšŒπš˜πš–πš™πš•πšŽπšπš˜ πš’πš— πš’πšπšŠπš•πš’πšŠπš—πš˜, Io sono la fine del mondo πšπš’πš•πš– πš’πš— πšœπšπš›πšŽπšŠπš–πš’πš—πš πšŠπš•πšπšŠ πšπšŽπšπš’πš—πš’πš£πš’πš˜πš—πšŽ, Io sono la fine del mondo πšπš’πš•πš– πš’πš— πšœπšπš›πšŽπšŠπš–πš’πš—πš πš’πšπšŠ, Io sono la fine del mondo πšœπšπš›πšŽπšŠπš–πš’πš—πš πšπš›πšŠπšπš’πšœ πšπš’πš•πš–, Io sono la fine del mondo πšœπšπš›πšŽπšŠπš–πš’πš—πš πšπš›πšŠπšπš’πšœ πšπš’πš•πš–

βœ…βˆšπŸ“ΊπŸ“±πŸ‘‰β—„β—„πŸ”΄ Io sono la fine del mondo πšπš’πš•πš– πšŒπš˜πš–πš™πš•πšŽπšπš˜

βœ…βˆšπŸ“ΊπŸ“±πŸ‘‰β—„β—„πŸ”΄ Io sono la fine del mondo πšπš’πš•πš– πšŒπš˜πš–πš™πš•πšŽπšπš˜

βœ…βˆšπŸ“ΊπŸ“±πŸ‘‰β—„β—„πŸ”΄ Io sono la fine del mondo πšπš’πš•πš– πšŒπš˜πš–πš™πš•πšŽπšπš˜

Io sono la fine del mondo, film diretto da Gennaro Nunziante, vede il comico Angelo Duro nei panni del protagonista, che così racconta la trama del film: "Di cosa mi occupo io? Faccio l'autista. I gestori dei locali di Roma mi pagano per portare via gli adolescenti ubriachi, altrimenti gli chiudono il locale. Io li carico a bordo e li accompagno a casa. È un lavoro che va alla grande, adesso poi con l'arrivo del Ferragosto sai che bevute che si fanno questi?

Succede perΓ² che una mattina mi chiama da Palermo quell’idiota di mia sorella che non sentivo da tanti anni, e con quella voce stridula che infastidisce mi dice che vuole andare in vacanza, ma non puΓ² farlo perchΓ© deve prendersi cura di mamma e papΓ . Mi chiede di 'darle il cambio', ma io non ci penso nemmeno. Vi rendete conto? Devo andare giΓΉ a prendermi cura dei miei genitori, quei due rigidi e autoritari che per tutta l'adolescenza sono stati i miei nemici, che mi hanno imposto cosa fare, cosa mangiare, chi frequentare.

Adesso sono diventati anziani e fragili e hanno bisogno di me. I paradossi della natura, diventare genitore dei tuoi genitori. No che non ci vado. A mente fredda, però, ci ho pensato e mi sono detto: 'Quando ti ricapita l'occasione di poterti vendicare di tutto quello che ti hanno combinato quei dueIo sono la fine del mondo, film diretto da Gennaro Nunziante, vede il comico Angelo Duro nei panni del protagonista, che così racconta la trama del film: "Di cosa mi occupo io? Faccio l'autista. I gestori dei locali di Roma mi pagano per portare via gli adolescenti ubriachi, altrimenti gli chiudono il locale. Io li carico a bordo e li accompagno a casa. È un lavoro che va alla grande, adesso poi con l'arrivo del Ferragosto sai che bevute che si fanno questi?

Succede perΓ² che una mattina mi chiama da Palermo quell’idiota di mia sorella che non sentivo da tanti anni, e con quella voce stridula che infastidisce mi dice che vuole andare in vacanza, ma non puΓ² farlo perchΓ© deve prendersi cura di mamma e papΓ . Mi chiede di 'darle il cambio', ma io non ci penso nemmeno. Vi rendete conto? Devo andare giΓΉ a prendermi cura dei miei genitori, quei due rigidi e autoritari che per tutta l'adolescenza sono stati i miei nemici, che mi hanno imposto cosa fare, cosa mangiare, chi frequentare.

Adesso sono diventati anziani e fragili e hanno bisogno di me. I paradossi della natura, diventare genitore dei tuoi genitori. No che non ci vado. A mente fredda, perΓ², ci ho pensato e mi sono detto: 'Quando ti ricapita l'occasione di poterti vendicare di tutto quello che ti hanno combinato quei due??

❏ πš‚πšƒπšπ™΄π™°π™Όπ™Έπ™½π™Ά 𝙼𝙴𝙳𝙸𝙰 ❏ πš‚πšπš›πšŽπšŠπš–πš’πš—πš πš–πšŽπšπš’πšŠ πš’πšœ πš–πšžπš•πšπš’πš–πšŽπšπš’πšŠ πšπš‘πšŠπš πš’πšœ πšŒπš˜πš—πšœπšπšŠπš—πšπš•πš’ πš›πšŽπšŒπšŽπš’πšŸπšŽπš πš‹πš’ πšŠπš—πš πš™πš›πšŽπšœπšŽπš—πšπšŽπš 𝚝𝚘 πšŠπš— πšŽπš—πš-πšžπšœπšŽπš› πš πš‘πš’πš•πšŽ πš‹πšŽπš’πš—πš πšπšŽπš•πš’πšŸπšŽπ™΄πšœπš™πšŽπš“πš˜, πšŽπšœπš™πšŽπš“πš˜ πš‹πš’ 𝚊 πš™πš›πš˜πšŸπš’πšπšŽπš›. πšƒπš‘πšŽ πšŸπšŽπš›πš‹ 𝚝𝚘 πšœπšπš›πšŽπšŠπš– πš›πšŽπšπšŽπš›πšœ 𝚝𝚘 πšπš‘πšŽ πš™πš›πš˜πšŒπšŽπšœπšœ 𝚘𝚏 πšπšŽπš•πš’πšŸπšŽπš›πš’πš—πš πš˜πš› πš˜πš‹πšπšŠπš’πš—πš’πš—πš πš–πšŽπšπš’πšŠ πš’πš— πšπš‘πš’πšœ πš–πšŠπš—πš—πšŽπš›.[πšŒπš•πšŠπš›πš’πšπš’πšŒπšŠπšπš’πš˜πš— πš—πšŽπšŽπšπšŽπš] πš‚πšπš›πšŽπšŠπš–πš’πš—πš πš›πšŽπšπšŽπš›πšœ 𝚝𝚘 πšπš‘πšŽ πšπšŽπš•πš’πšŸπšŽπš›πš’ πš–πšŽπšπš‘πš˜πš 𝚘𝚏 πšπš‘πšŽ πš–πšŽπšπš’πšžπš–, πš›πšŠπšπš‘πšŽπš› πšπš‘πšŠπš— πšπš‘πšŽ πš–πšŽπšπš’πšžπš– πš’πšπšœπšŽπš•πš. π™³πš’πšœπšπš’πš—πšπšžπš’πšœπš‘πš’πš—πš πšπšŽπš•πš’πšŸπšŽπš›πš’ πš–πšŽπšπš‘πš˜πš πš”πš›πš˜πš– πšπš‘πšŽ πš–πšŽπšπš’πšŠ πšπš’πšœπšπš›πš’πš‹πšžπšπšŽπš πšŠπš™πš™πš•πš’πšŽπšœ πšœπš™πšŽπšŒπš’πšπš’πšŒπšŠπš•πš•πš’ 𝚝𝚘 πšπšŽπš•πšŽπšŒπš˜πš–πš–πšžπš—πš’πšŒπšŠπšπš’πš˜πš—πšœ πš—πšŽπšπš πš˜πš›πš”πšœ, 𝚊𝚜 πš–πš˜πšœπš 𝚘𝚏 πšπš‘πšŽ πšπšŽπš•πš’πšŸπšŽπš›πš’ πšœπš’πšœπšπšŽπš–πšœ πšŠπš›πšŽ πšŽπš’πšπš‘πšŽπš› πš’πš—πš‘πšŽπš›πšŽπš—πšπš•πš’ πšœπšπš›πšŽπšŠπš–πš’πš—πš (𝚎.𝚐. πš›πšŠπšπš’πš˜, πšπšŽπš•πšŽπšŸπš’πšœπš’πš˜πš—, πšœπšπš›πšŽπšŠπš–πš’πš—πš πšŠπš™πš™πšœ) πš˜πš› πš’πš—πš‘πšŽπš›πšŽπš—πšπš•πš’ πš—πš˜πš—-πšœπšπš›πšŽπšŠπš–πš’πš—πš (𝚎.𝚐. πš‹πš˜πš˜πš”πšœ, πšŸπš’πšπšŽπš˜ 𝚌𝚊𝚜𝚜𝚎𝚝𝚝𝚎𝚜, πšŠπšžπšπš’πš˜ π™²π™³πšœ). πšƒπš‘πšŽπš›πšŽ πšŠπš›πšŽ πšŒπš‘πšŠπš•πš•πšŽπš—πšπšŽπšœ πš πš’πšπš‘ πšœπšπš›πšŽπšŠπš–πš’πš—πš πšŒπš˜πš—πšπšŽπš—πš πš˜πš— πšπš‘πšŽ π™Έπš—πšπšŽπš›πš—πšŽπš. π™΅πš˜πš› πšŽπš‘πšŠπš–πš™πš•πšŽ, πšžπšœπšŽπš›πšœ πš πš‘πš˜πšœπšŽ π™Έπš—πšπšŽπš›πš—πšŽπš πšŒπš˜πš—πš—πšŽπšŒπšπš’πš˜πš— πš•πšŠπšŒπš”πšœ πšœπšžπšπšπš’πšŒπš’πšŽπš—πš πš‹πšŠπš—πšπš πš’πšπšπš‘ πš–πšŠπš’ πšŽπš‘πš™πšŽπš›πš’πšŽπš—πšŒπšŽ πšœπšπš˜πš™πšœ, πš•πšŠπšπšœ, πš˜πš› πšœπš•πš˜πš  πš‹πšžπšπšπšŽπš›πš’πš—πš 𝚘𝚏 πšπš‘πšŽ πšŒπš˜πš—πšπšŽπš—πš. π™°πš—πš πšžπšœπšŽπš›πšœ πš•πšŠπšŒπš”πš’πš—πš πšŒπš˜πš–πš™πšŠπšπš’πš‹πš•πšŽ πš‘πšŠπš›πšπš πšŠπš›πšŽ πš˜πš› πšœπš˜πšπšπš πšŠπš›πšŽ πšœπš’πšœπšπšŽπš–πšœ πš–πšŠπš’ πš‹πšŽ πšžπš—πšŠπš‹πš•πšŽ 𝚝𝚘 πšœπšπš›πšŽπšŠπš– πšŒπšŽπš›πšπšŠπš’πš— πšŒπš˜πš—πšπšŽπš—πš.

π™»πš’πšŸπšŽ πšœπšπš›πšŽπšŠπš–πš’πš—πš πš’πšœ πšπš‘πšŽ πšπšŽπš•πš’πšŸπšŽπš›πš’ 𝚘𝚏 π™Έπš—πšπšŽπš›πš—πšŽπš πšŒπš˜πš—πšπšŽπš—πš πš’πš— πš›πšŽπšŠπš•-πšπš’πš–πšŽ πš–πšžπšŒπš‘ 𝚊𝚜 πš•πš’πšŸπšŽ πšπšŽπš•πšŽπšŸπš’πšœπš’πš˜πš— πš‹πš›πš˜πšŠπšπšŒπšŠπšœπšπšœ πšŒπš˜πš—πšπšŽπš—πš πš˜πšŸπšŽπš› πšπš‘πšŽ πšŠπš’πš›πš πšŠπšŸπšŽπšœ πšŸπš’πšŠ 𝚊 πšπšŽπš•πšŽπšŸπš’πšœπš’πš˜πš— πšœπš’πšπš—πšŠπš•. π™»πš’πšŸπšŽ πš’πš—πšπšŽπš›πš—πšŽπš πšœπšπš›πšŽπšŠπš–πš’πš—πš πš›πšŽπššπšžπš’πš›πšŽπšœ 𝚊 πšπš˜πš›πš– 𝚘𝚏 πšœπš˜πšžπš›πšŒπšŽ πš–πšŽπšπš’πšŠ (𝚎.𝚐. 𝚊 πšŸπš’πšπšŽπš˜ πšŒπšŠπš–πšŽπš›πšŠ, πšŠπš— πšŠπšžπšπš’πš˜ πš’πš—πšπšŽπš›πšπšŠπšŒπšŽ, πšœπšŒπš›πšŽπšŽπš— πšŒπšŠπš™πšπšžπš›πšŽ πšœπš˜πšπšπš πšŠπš›πšŽ), πšŠπš— πšŽπš—πšŒπš˜πšπšŽπš› 𝚝𝚘 πšπš’πšπš’πšπš’πš£πšŽ πšπš‘πšŽ πšŒπš˜πš—πšπšŽπš—πš, 𝚊 πš–πšŽπšπš’πšŠ πš™πšžπš‹πš•πš’πšœπš‘πšŽπš›, πšŠπš—πš 𝚊 πšŒπš˜πš—πšπšŽπš—πš πšπšŽπš•πš’πšŸπšŽπš›πš’ πš—πšŽπšπš πš˜πš›πš” 𝚝𝚘 πšπš’πšœπšπš›πš’πš‹πšžπšπšŽ πšŠπš—πš πšπšŽπš•πš’πšŸπšŽπš› πšπš‘πšŽ πšŒπš˜πš—πšπšŽπš—πš. π™»πš’πšŸπšŽ πšœπšπš›πšŽπšŠπš–πš’πš—πš 𝚍𝚘𝚎𝚜 πš—πš˜πš πš—πšŽπšŽπš 𝚝𝚘 πš‹πšŽ πš›πšŽπšŒπš˜πš›πšπšŽπš 𝚊𝚝 πšπš‘πšŽ πš˜πš›πš’πšπš’πš—πšŠπšπš’πš˜πš— πš™πš˜πš’πš—πš, πšŠπš•πšπš‘πš˜πšžπšπš‘ πš’πš πš”πš›πšŽπššπšžπšŽπš—πšπš•πš’ πš’πšœ. πš‚πšπš›πšŽπšŠπš–πš’πš—πš πš’πšœ πšŠπš— πšŠπš•πšπšŽπš›πš—πšŠπšπš’πšŸπšŽ 𝚝𝚘 πšπš’πš•πšŽ πšπš˜πš πš—πš•πš˜πšŠπšπš’πš—πš, 𝚊

πš™πš›πš˜πšŒπšŽπšœπšœ πš’πš— πš πš‘πš’πšŒπš‘ πšπš‘πšŽ πšŽπš—πš-πšžπšœπšŽπš› πš˜πš‹πšπšŠπš’πš—πšœ πšπš‘πšŽ πšŽπš—πšπš’πš›πšŽ πšπš’πš•πšŽ πšπš˜πš› πšπš‘πšŽ πšŒπš˜πš—πšπšŽπš—πš πš‹πšŽπšπš˜πš›πšŽ πš πšŠπšπšŒπš‘πš’πš—πš πš˜πš› πš•πš’πšœπšπšŽπš—πš’πš—πš 𝚝𝚘 πš’πš. πšƒπš‘πš›πš˜πšžπšπš‘ πšœπšπš›πšŽπšŠπš–πš’πš—πš, πšŠπš— πšŽπš—πš-πšžπšœπšŽπš› πšŒπšŠπš— 𝚞𝚜𝚎 πšπš‘πšŽπš’πš› πš–πšŽπšπš’πšŠ πš™πš•πšŠπš’πšŽπš› 𝚝𝚘 πšœπšπšŠπš›πš πš™πš•πšŠπš’πš’πš—πš πšπš’πšπš’πšπšŠπš• πšŸπš’πšπšŽπš˜ πš˜πš› πšπš’πšπš’πšπšŠπš• πšŠπšžπšπš’πš˜ πšŒπš˜πš—πšπšŽπš—πš πš‹πšŽπšπš˜πš›πšŽ πšπš‘πšŽ πšŽπš—πšπš’πš›πšŽ πšπš’πš•πšŽ πš‘πšŠπšœ πš‹πšŽπšŽπš— πšπš›πšŠπš—πšœπš–πš’πšπšπšŽπš. πšƒπš‘πšŽ πšπšŽπš›πš–

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π™³πšŽπšπš’πš—πš’πšπš’πš˜πš— πšŠπš—πš πšπšŽπšπš’πš—πš’πšπš’πš˜πš— 𝚘𝚏 π™΅πš’πš•πš– / π™΅πš’πš•πš– πš†πš‘πš’πš•πšŽ πšπš‘πšŽ πš™πš•πšŠπš’πšŽπš›πšœ πš πš‘πš˜ πš™πš•πšŠπš’ 𝚊 πš›πš˜πš•πšŽ πš’πš— πšπš‘πšŽ π™΅πš’πš•πš– πšŠπš›πšŽ πš›πšŽπšπšŽπš›πš›πšŽπš 𝚝𝚘 𝚊𝚜 πšŠπšŒπšπš˜πš›πšœ ( Io sono la fine del mondo) πš˜πš› πšŠπšŒπšπš›πšŽπšœπšœπšŽπšœ (𝚠𝚘 Io sono la fine del mondo). πšƒπš‘πšŽπš›πšŽ πš’πšœ πšŠπš•πšœπš˜ πšπš‘πšŽ πšπšŽπš›πš– πšŽπš‘πšπš›πšŠπšœ πšπš‘πšŠπš πšŠπš›πšŽ 𝚞𝚜𝚎𝚍 𝚊𝚜 πš–πš’πš—πš˜πš› πšŒπš‘πšŠπš›πšŠπšŒπšπšŽπš›πšœ πš πš’πšπš‘ 𝚏𝚎𝚠 πš›πš˜πš•πšŽπšœ πš’πš— πšπš‘πšŽ π™΅πš’πš•πš–. πšƒπš‘πš’πšœ πšπš’πšπšπšŽπš›πšœ πšπš›πš˜πš– πšπš‘πšŽ πš–πšŠπš’πš— πšŠπšŒπšπš˜πš›πšœ, πš πš‘πš˜ πš‘πšŠπšŸπšŽ πš•πšŠπš›πšπšŽπš› πšŠπš—πš πš–πš˜πš›πšŽ πš›πš˜πš•πšŽπšœ. π™°πšœ πšŠπš— πšŠπšŒπšπš˜πš› πšŠπš—πš πšŠπšŒπšπš›πšŽπšœπšœ, 𝚐𝚘𝚘𝚍 πšŠπšŒπšπš’πš—πš πšπšŠπš•πšŽπš—πš πš–πšžπšœπš πš‹πšŽ πš›πšŽπššπšžπš’πš›πšŽπš πšπš‘πšŠπš πšŒπš˜πš›πš›πšŽπšœπš™πš˜πš—πšπšœ 𝚝𝚘 πšπš‘πšŽ πšœπšžπš‹πš“πšŽπšŒπš 𝚘𝚏 πšπš‘πšŽ π™΅πš’πš•πš– πš’πš— πš πš‘πš’πšŒπš‘ πš‘πšŽ πš™πš•πšŠπš’πšœ πšπš‘πšŽ πš•πšŽπšŠπšπš’πš—πš πš›πš˜πš•πšŽ. π™Έπš— πšŒπšŽπš›πšπšŠπš’πš— πšœπšŒπšŽπš—πšŽπšœ, πšπš‘πšŽ πš›πš˜πš•πšŽ 𝚘𝚏 πšπš‘πšŽ πšŠπšŒπšπš˜πš› πšŒπšŠπš— πš‹πšŽ πš›πšŽπš™πš•πšŠπšŒπšŽπš πš‹πš’ 𝚊 πšœπšπšžπš—πš πš–πšŠπš— πš˜πš› 𝚊 πšœπšπšžπš—πš πš–πšŠπš—. πšƒπš‘πšŽ πšŽπš‘πš’πšœπšπšŽπš—πšŒπšŽ 𝚘𝚏 𝚊 πšœπšπšžπš—πšπš–πšŠπš— πš’πšœ πš’πš–πš™πš˜πš›πšπšŠπš—πš 𝚝𝚘 πš›πšŽπš™πš•πšŠπšŒπšŽ πšπš‘πšŽ πšŠπšŒπšπš˜πš›πšœ πš πš‘πš˜ πš™πš•πšŠπš’ πšπš’πšπšπš’πšŒπšžπš•πš πšŠπš—πš πšŽπš‘πšπš›πšŽπš–πšŽ πšœπšŒπšŽπš—πšŽπšœ πšπš‘πšŠπš πšŠπš›πšŽ πšžπšœπšžπšŠπš•πš•πš’ πšπš˜πšžπš—πš πš’πš— πšŠπšŒπšπš’πš˜πš—-πšŠπšŒπšπš’πš˜πš— π™΅πš’πš•πš–πšœ. π™Όπš˜πšŸπš’πšŽπšœ πšŒπšŠπš— πšŠπš•πšœπš˜ πš‹πšŽ 𝚞𝚜𝚎𝚍 𝚝𝚘 πšπšŽπš•πš’πšŸπšŽπš› πšŒπšŽπš›πšπšŠπš’πš— πš–πšŽπšœπšœπšŠπšπšŽπšœ πšπš›πš˜πš– πšπš‘πšŽ π™΅πš’πš•πš–πš–πšŠπš”πšŽπš›. πš‚πš˜πš–πšŽ πš’πš—πšπšžπšœπšπš›πš’πšŽπšœ πšŠπš•πšœπš˜ 𝚞𝚜𝚎 π™΅πš’πš•πš– 𝚝𝚘 πšŒπš˜πš—πšŸπšŽπš’ πšŠπš—πš πš›πšŽπš™πš›πšŽπšœπšŽπš—πš πšπš‘πšŽπš’πš› πšœπš’πš–πš‹πš˜πš•πšœ πšŠπš—πš πšŒπšžπš•πšπšžπš›πšŽ. π™΅πš’πš•πš–πš–πšŠπš”πš’πš—πš πš’πšœ πšŠπš•πšœπš˜ 𝚊 πšπš˜πš›πš– 𝚘𝚏 πšŽπš‘πš™πš›πšŽπšœπšœπš’πš˜πš—, πšπš‘πš˜πšžπšπš‘πšπšœ, πš’πšπšŽπšŠπšœ, πšŒπš˜πš—πšŒπšŽπš™πšπšœ, πšπšŽπšŽπš•πš’πš—πšπšœ πšŠπš—πš πš–πš˜πš˜πšπšœ 𝚘𝚏 𝚊 πš™πšŽπš›πšœπš˜πš— πšπš‘πšŠπš πšŠπš›πšŽ πšŸπš’πšœπšžπšŠπš•πš’πš£πšŽπš πš’πš— πšπš‘πšŽ π™΅πš’πš•πš–. πšƒπš‘πšŽ π™΅πš’πš•πš– πš’πšπšœπšŽπš•πš πš’πšœ πš–πš˜πšœπšπš•πš’ πšπš’πšŒπšπš’πš˜πš—πšŠπš•, πšπš‘πš˜πšžπšπš‘ πšœπš˜πš–πšŽ πšŠπš›πšŽ πš‹πšŠπšœπšŽπš πš˜πš— πšŠπšŒπšπšžπšŠπš• πšœπšπš˜πš›πš’πšŽπšœ πš˜πš› πš˜πš— 𝚊 πšπš›πšžπšŽ πšœπšπš˜πš›πš’. πšƒπš‘πšŽπš›πšŽ πšŠπš›πšŽ πšŠπš•πšœπš˜ 𝚍𝚘𝚌𝚞 Io sono la fine del mondoπšπšŠπš›πš’πšŽπšœ πš πš’πšπš‘ πš˜πš›πš’πšπš’πš—πšŠπš• πšŠπš—πš πš›πšŽπšŠπš• πš’πš–πšŠπšπšŽπšœ πš˜πš› πš‹πš’πš˜πšπš›πšŠπš™πš‘πš’πšŒπšŠπš• π™΅πš’πš•πš–πšœ πšπš‘πšŠπš πšπšŽπš•πš• πšπš‘πšŽ πšœπšπš˜πš›πš’ 𝚘𝚏 𝚊 πšŒπš‘πšŠπš›πšŠπšŒπšπšŽπš›. πšƒπš‘πšŽπš›πšŽ πšŠπš›πšŽ πš–πšŠπš—πš’ πš˜πšπš‘πšŽπš› πš™πš˜πš™πšžπš•πšŠπš› πšπšŽπš—πš›πšŽ π™΅πš’πš•πš–πšœ, πšπš›πš˜πš– πšŠπšŒπšπš’πš˜πš— π™΅πš’πš•πš–πšœ, πš‘πš˜πš›πš›πš˜πš› π™΅πš’πš•πš–πšœ, πšŒπš˜πš–πšŽπšπš’ π™΅πš’πš•πš–πšœ, πš›πš˜πš–πšŠπš—πšπš’πšŒ π™΅πš’πš•πš–πšœ, πšπšŠπš—πšπšŠπšœπš’ π™΅πš’πš•πš–πšœ, πšπš‘πš›πš’πš•πš•πšŽπš› π™΅πš’πš•πš–πšœ, πšπš›πšŠπš–πšŠ π™΅πš’πš•πš–πšœ, πšœπšŒπš’πšŽπš—πšŒπšŽ

πšπš’πšŒπšπš’πš˜πš— π™΅πš’πš•πš–πšœ, πšŒπš›πš’πš–πšŽ π™΅πš’πš•πš–πšœ, 𝚍𝚘𝚌𝚞 Io sono la fine del mondoπšπšŠπš›πš’πšŽπšœ πšŠπš—πš πš˜πšπš‘πšŽπš›πšœ. πšƒπš‘πš’πšœ πš’πšœ πšœπš˜πš–πšŽ πš’πš—πšπš˜πš›πš–πšŠπšπš’πš˜πš— πšŠπš‹πš˜πšžπš πšπš‘πšŽ πšπšŽπšπš’πš—πš’πšπš’πš˜πš— 𝚘𝚏 π™΅πš’πš•πš– πš˜πš› π™΅πš’πš•πš–. πšƒπš‘πšŽ πš’πš—πšπš˜πš›πš–πšŠπšπš’πš˜πš— πš‘πšŠπšœ πš‹πšŽπšŽπš— πšŒπš’πšπšŽπš πšπš›πš˜πš– πšŸπšŠπš›πš’πš˜πšžπšœ πšœπš˜πšžπš›πšŒπšŽπšœ πšŠπš—πš πš›πšŽπšπšŽπš›πšŽπš—πšŒπšŽπšœ. π™·πš˜πš™πšŽ πš’πš πšŒπšŠπš— πš‹πšŽ πšžπšœπšŽπšπšžπš•.

Io sono la fine del mondo πš’πš• πšπšŽπš—πš’πš˜ πšπšŽπš•πš•πš˜ πšœπšπš›πšŽπšŠπš–πš’πš—πš

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Io sono la fine del mondo πšœπšπš›πšŽπšŠπš–πš’πš—πš πš’πš— πšŠπš•πšπšŠπšπšŽπšπš’πš—πš’πš£πš’πš˜πš—πšŽ

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